Tuesday, 3 April 2012

Montblanc's Hitchcock tribute



Passionate craftsmanship and pioneering design have always defined Montblanc’s tradition. Now, it is the art of writing that they have personified. Riddhima Nagpal takes a journey down to their electrifying new tribute to the inventor of the psychological thriller genre, Alfred Hitchcock.


It is a panorama of snow-capped mountains that is identified with the white stylised six-pointed star (with rounded edges) also popularly known as ‘white star’ logo, a trademark of Montblanc. With the core belief of making words touch the soul, the brand has come a long way from its founding days back in 1908. The journey, which began at the Schanzen district of Hamburg as a Simplo Filler Pen company producing upmarket pens, has reached the platform where Montblanc is not only popular for writing instruments but has spread its wings into watchmaking, fragrances, jewellery, eyewear and leather crafting. With their tagline of ‘soul makers for 100 years’, the brand has a legacy when it comes to the art of writing. Their first model in 1909 was Rouge et Noir, which was followed by the pen that later gave the company its new name, Montblanc, in 1910. The name Meisterstück (meaning masterpiece in English) was later used in 1924 for their top line of fountain pens. Today, it represents their cornerstone model.

Montblanc, which has always been famous for producing conceptual pieces, now pays tribute to the master of suspense Alfred Hitchcock with the launch of Montblanc Alfred Hitchcock Limited Edition 80 and Limited Edition 3000 writing instruments. It’s a range that reveals the story of Hitchcock’s extraordinary contributions to the art of filmmaking, where the legendary icons of the genius have been captured on writing instruments. “We always try to respect the personality who gives the name for the concept or product, and also the achievements of the person. We try to use this as basis of inspiration for the writing instrument design,” informs Claudia Zumpe, senior marketing manager, Writing Culture and Limited Editions, Montblanc.

“Within the field of culture and art that Montblanc is committed to, Hitchcock was one of the most important personalities in recent centuries due to the fact that he revolutionised the filmmaking business; we have incorporated the same in Montblanc’s aesthetic,” elaborates Claudia.


Many of Hitchcock’s scenes remain as the most memorable visuals in movie history till date. With all its intricate details and symbolic references, the brand honours the same during the making of these luxurious pens. To start with, the complete life works of Hitchcock have been saluted by means of 53 engraved hatch marks on the cone. The cap ring engraving on Edition 80 is encircled by a stylised roll of celluloid film – a director’s ultimate tool – whereas on the Edition 3000, it refers to the original film roll lettering of the movie Psycho. The sinister shape of the murder weapon used in Psycho plays inspiration for the shape of the pen’s clip. The clip is made of solid gold and every single little knife is individually cast. Each clip is carefully polished by hand in order to even the surface and enhance the brilliance – to make it as shiny as the murderer’s knife! To add to the brilliance, the four diamonds for the clip are carefully selected before being set by hand on Edition 80.

When it comes to the body, the vertiginous view down the staircase from another famous movie of his, Vertigo, has been incorporated as an optical effect on the surface of both the editions. On the Edition 80 writing instruments, black lacquer is enhanced with red reminiscent of the bloodstained crime scenes of his films. A special technique has been used to create the lacquer effects; nearly 30 layers of lacquer are applied to each tube. After more than five different steps of lacquering and shaping the tubes of cap and barrel, every single tube is polished by hand in order to create a brilliant surface. The fittings of the Limited Edition 80 are made of 750 solid gold – each edition incorporates approximately 30 grams of 18-karat gold. The genius, who was famous for his cameo appearances, always used to capture his silhouette with a self-portrait using only eight lines. This caricature embellishes the heart of Montblanc’s handcrafted rhodium-finished 18-karat gold nib.


Nearly 35 work steps go into creating the perfect nib for the Artisan Limited Edition. An individual nib-stamp is created for each limited edition, featuring the year of its manufacture. Every nib is cut carefully by hand and ground afterwards. Also the nib is polished to achieve its brilliance. At last, the nib undergoes the writing test where every subtle nuance in the melody of nib helps in judging the writing quality. In the nib-testing centre, surrounded by absolute silence, experienced professionals test the sound of nibs striking. The melody needs to indicate Montblanc’s quality of experience of an ideal writing sensation. Each edition is packed in an artisan box, which this time is a film-box, a reference to the master of filmmaking.

Made out of devotion and love, the pens, handcrafted at each stage of stamping, shaping, soldering and smoothening, come with a ‘price on request’ tag.

Tuesday, 27 March 2012

Angelina Jolie - "I’ll Never Forget the Lessons I’ve Learnt"

When it comes to women achievers, none can compete with the solid curriculum vitae that Angelina Jolie has run up. An award-winning actress, a mother of six, a humanitarian and UNHRC Goodwill Ambassador, Jolie’s directorial debut only seals her position as Hollywood’s most inspiring performer. S. Dawdry / Celebritext speaks to her about the demands of love, conflict and motherhood.

Born Angelina Jolie Voight to acclaimed actor Jon Voight and Iroquois-French actress Marcheline Bertrand, who died five years ago, there is little that Jolie has done in her life that is not part of recorded history. Having acted, directed or given her voice to 36 films in almost as many years of her life, Jolie’s personal life and humanitarian globe-trotting have been as much part of mainstream journalism as her films. Her directorial debut, In the Land of Blood and Honey, is insightful of the workings of her mind. A war film based on her own screenplay and shot on location in Sarajevo and Budapest, it tells the complicated love story of Ajla, a Bosnian Muslim female prisoner of a ‘rape camp’, and Danijel, a Serbian army officer, set against the backdrop of the cruel Bosnian War of the early nineties. Interestingly, the cast is all Bosnian, many of whom have been directly affected by the war.

The very first film you directed is about war. Did it come out of the UN work that you do?
Yes, I’m sure that it was, even though I wasn’t quite conscious of it. Part of this film was never expected to be a movie. I thought, “I’ve written journals and op-eds and I’m just going to sit with this format of film since it’s what I’ve done in my life and quietly see if I can write a project where I can meditate and study what happens to human beings through war, so that I can better understand people in post-conflict situations and how to help.” This was my private homework and it gave me a kind of purpose to watch documentaries, do my own research, watch the footage, visit the region and spend time with people. Then somehow it ended up evolving into a film.

Was there a moment that you can remember where you realised that this was the way to live your life?
The life-changing moment for me was the first time that I went to a war zone. That was Sierra Leone. I wasn’t a goodwill ambassador; I just asked to go and I was allowed. That was a brutal conflict where they cut arms. And seeing little kids that had both their arms and legs cut off with a hatchet stuck to a tree, I could not for the life of me understand how this was happening. It was like someone smacked me in the face. Across the world there are these places where people literally cut hands off their brother or sister to try to then force them to beg in front of trucks and throw them in front of them. People are forced to watch… men are forced to rape their mothers in front of people. It’s beyond understanding. Then I went to Tanzania and saw the first mass refugee camp – it was about 500,000 people and you see that sea of humanity displaced and the lack of human rights. I just was in complete shock for a while. Then I broke down. I decided I would never ever forget what I had learned.

How much did you follow your creative instincts as a director and how much did you turn to others to figure out how to do something of this scale?
The script was very much in these rooms, and then of course as you have to start to accurately depict war, things start to get bigger and bigger. First we sent the script without my name on it to people from different sides of the conflict. We decided that if people from all different sides of the conflict would agree on the same story and participate – including Bosnian Serbs, Croatians, Bosnian Muslims, anyone from Serbia – then we had something. And if they could not agree, we wouldburn it. So then they came together and taught me a lot. They’ve all lost someone. I met a woman who told me about being held captive and used as a human shield, watching older women being forced to dance naked in front of soldiers. So, all these things changed as we went along. I never anticipated the scale of it, but I was very lucky to have Dean Semler working with us. He took a pay cut. Everybody did. The same with Jon Hutman. We worked together on The Tourist, which was all about elegance and wealth, and then suddenly there we were with no budget, working on a war movie. So, I asked everybody’s advice, anybody who was willing to talk to me.


Did you face any challenges in shaping the voices of characters because it’s developed in a different language?
I tried to keep the first draft quite clean where the only thing that’s said is just what needs to be said, and there’s a lot of silence and tension. Then we adjusted it into its authentic language. We had to not only get it translated, but we had to get it translated more than once. A translator couldn’t be just Bosnian Muslim or Bosnian Serb because then the translation would be slightly slanted one way or the other. And often, if I had wanted to check on performances I’d ask each of the actors, because it is their native tongue.

Are you hooked on this directing thing now or will it take a really special project to get you back to it?
It would take a really special project. I love this not because I wanted to be a director, but because I’m so happy to get this story out into the world. It wasn’t just a film. I don’t know if I could put that much energy into it again. It’s much easier to be an actor.

How do you juggle your schedule, your time and energy? Did you need to sacrifice things to make this film?
I would never sacrifice any time with my family. Between Brad [Pitt] and I, if we couldn’t manage our schedules, we’d always sacrifice work. I stayed with him with the kids while he was doing Moneyball in LA. Then, through this film, my family was there. He took the kids to school; and after school they came to the set and would stay outside, of course, and play with the fake snow. It was an inappropriate film for them to be near.

Monday, 27 February 2012

Starry Duet

She is an actress, he is a film director; they meet on the sets and drive off into a warm sunset. It is not a new  theme for a romantic story. But when Kalki Koechlin and Anurag Kashyap start talking about theirs, the sparks  fly, the gazes flirt, the touch communicates deep meaning, finds Vandana Rana.


From HemaMalini – Dharmendra and Sridevi – BoneyKapoor to KiranRao – Aamir Khan, Bollywood has seen many reel romances turn into real-life love tales. From partners at work, they end up partners in life, and audiences are enraptured. Adding to the glorified legend of the star and the director, KalkiKoechlin and AnuragKashyap tied the nuptial knot last year after a live-in relationship that left many scandalised and many others rather envious.
They met on the sets of Dev D when the spark of romance was first lit. Within six months, they decided to live together. There was no ‘courtship period’ nor did they date in the conventional sense. “I just went to her house, picked up all her bags, and said, ‘We are living together.’ That’s it,” says Anurag, sharing a tender glance with soul-mateKalki. The lovey-dovey couple – who have been remarkably open about their relationship in an industry that revels in keeping things under wraps -– believe that love is a feeling you cannot gauge or predict. “Actually love is quite natural and organic, bas hojatahai (it just happens)…” shares Anurag, while Kalki finishes his sentence, “You know when it happens.”
It was Anurag – eleven years Kalki’s senior – who eventually touched upon the subject of marriage. “He proposed every day, and one fine day I said yes,” says Kalki with the hint of a smirk. The couple got married under a hundred-year-old mango tree in the southern hill town of Ooty where Kalki was born to French parents twenty-eight years ago. The wedding was carried out according to traditional Tamil ceremony, and the celebrations extended to a party later. “We are a Disney movie, Beauty and The Beast,” jokes Anurag. To make the wedding even more memorable, Kalki wrote, composed and sang a Tamil English rap song for him. As he recounts the story, Anurag quips, “If she posts that song on Facebook, it will be a bigger viral hit than Kolaveri di,” and Kalki joins him in a cackle.
Indeed, it is humour that has helped seal this couple’s bond. Anurag, who grew up in Benaras and who has a ten-year-old daughter from his first marriage to film editor Aarti Bajaj, often amuses Kalki with his droll antics. Once, on holiday, they got into a fight. Amidst the maelstrom of arguments, Anurag said “...don’t vallo (wallow) in your sorrow,” and Kalki burst into laughter. These little episodes have kept their married life sparkling fresh, and even though they don’t expressly proclaim that they are a romantic couple, it is evident in the way he teases her and makes her laugh, the way she cleanses his spectacles and caringly sets his hair.


 They tell ATELIER they don’t have too much time to spend together and sometimes find it hard to believe they are married. But whatever time they do get, they believe in enjoying each moment of togetherness with love. “We don’t meet for months and perhaps that is why we look very much in love when we do meet,” suggests Kalki.
Work has been an instrumental part of their relationship, but they insist they keep their personal and professional lives separate while on the sets. Their films together include Dev D, Shaitan and That Girl in Yellow Boots, but as a rule, they don’t talk about domestic matters while at work. “Sometimes, we don’t even talk to each other while we are working,” shares Kalki, who co-wrote their latest release That Girl in Yellow Boots with Anurag. But, on the other hand, the couple do feel that their workaffairs disturb their private life at times. Anurag, who has made a career of intense, unconventional and even disturbing films, shares, “Professional incidents and events pour into our personal spaces; it depends on the kind of film we are doing.” When asked about their future projects together, he mockingly complains, “We were working together, but now she is busy working with other directors. She has no time for me.”   
Kalki, who studied drama and theatre at Goldsmith’s University of London and also worked with theatre company before moving to India, knows Anurag as a director first and then as a life partner. She loves the way he works: “He is very masti on sets, all chilled out. But he is nightmare to all his assistant directors, since he changes his mind within seconds,” reveals Kalki, grinning. But she admires that he gives a free hand and a comfort zone to his actors.
Hindi is a topic of contention. Kalki, who is well-versed with Tamil and French, “talks in Hindi with our driver, cook and my parents but not with me,” says Anurag wryly. But when it is about films and projects, she makes sure that language doesn’t come in her way. “I work with a tutor on my Hindi before any project. But I think Anurag needs Hindi classes more than me,” quips Kalki in return.
 
Never coy about their relationship, the cosycouple once again get into a little love fight when we ask them who is the more romantic of the two. “Kalki,” says Anurag, and she responds, “No, it’s Anurag!” It’s probably both.

Thursday, 16 February 2012

Ferrari TO THE POWER OF Four

The latest offering from power-brand Ferrari comes with four seats and a four-wheel drive, which only makes it four times more irresistible. With high-performance features and a whopping 6,262cc engine, the Ferrari Four satiates any auto-addict’s fantasy. Riddhima Nagpal goes on one hell of a ride through heaven.


Speed. Style. Swiftness. The new FF – an acronym for Ferrari Four (four seats and four-wheel drive) – is not like any other Ferrari we have ever seen before. The prancing horse technicians have gone all the way out in creating a car that combines beauty, elegance and art in its soul!
The new FF is a four-seater that offers a completely new take on the Grand Tourer theme. Even a momentary glance at the FF’s sleek, Pininfarina-penned super model profile affirms the same. Taking its designing cues from its predecessor 612 Scaglietti and 599 GTB Fiorano, the shape and proportions of FF are a harmonious blend of sporting DNA and extraordinary usability. But there is more to this racing horse than its exterior allure. Designed specifically to tackle the toughest and the most complex of driving challenges, this supercar delivers power to its extreme-regardless of weather or road conditions.
Since the legendary Ferrari 250 GT SWB Breadvan made in 1962, this new FF has pioneered with many firsts to its kitty. It carries the company’s all-wheel drive system- the innovation called 4RM, which is Ferrari’s own patented design and weighs 50 per cent less than a conventional four-wheel drive unit. Under the bonnet is a 6,262cc direct injection V12 engine developing a ballistic 492 kW (660 CV) at 8,000 rpm and 683 Nm at 6,000 rpm. Like a blaze of wind, the FF can easily nail the 0-100 km (0-62 mile) sprint in just 3.7 seconds (a third quicker than its predecessor 612) and has a top speed of 335km/h or 208 mph (about nine mph faster than the 612). To add to its superior performance, it can reach the whopping speed of 0-200 km/h in just 11 seconds! Sporting a seven-speed dual-clutch super fast shifting F1 gearbox, it boasts off a 20 per cent increase in power with a 25 per cent reduction in fuel consumption. To add a cherry on the cake, the system also provides for near perfect weight balance – nearly 53 per cent over the rear axle. Its class-leading weight-power ratio of 2.7 kg/CV ensures exceptionally responsive handling.
All car enthusiasts are in for a treat when they lay their hands on this beauty since it is still the rear wheels that actually provide the power to this car, with torque being transferred only to the front axle when required and even then intelligently and predicatively distributed to all four wheels. Thus adding another reason to prove this shooting brake the most versatile Ferrari ever built.


1. Racing cockpit with all controls on the steering, 5-position Manettino and new instrument panel with VDA
2. The new rear seat infotainment system with screens on each rear seat to enhance in-car enjoyment for all occupants
3. Seven-speed dual clutch
4. Biggest cabin space for four passengers in the segment with an interior storage space of 20 litre and an expandable boot capacity when rear seats are folded down
5. The view of the V12 engine and F1 gear box

Wednesday, 15 February 2012

GO CLICKETY CLICK!

Check out the latest cameras in the world, each of which stands out for its unique features and looks. Say cheese!

1. Canon
Canon’s EOS-1D X professional camera offers some out-of-the-box features that you can’t stop admiring. It features a newly developed 18.1 megapixel Full Frame CMOS sensor, 61-point High Density Reticular Auto Focus (AF) system and wider frame coverage adding more flexibility to the focusing system, and 100,000-pixel RGB Metering Sensor for greater accuracy. Adding on some more, this camera also has dual DIGIC 5+ processors that provide full-resolution images at up to 14 frames per second. What else do you need?

2. Sony
We all try our hand occasionally with high-definition photography struggling for the right shot. Here’s where Sony’s ultra thin Cybershot model DSC-TX55 comes in. This incredible digital camera offers 16.2 megapixel, Full HD video, 5x Zoom and 3D capability. It’s highly acclaimed Exmor R™ CMOS sensor delivers image detail and ultra-low picture noise in both still images and Full HD video – even in low-light conditions. It is available in gold, black and silver in the Indian market.
3. Lytro
Capture all the madness around you with Lytro’s light field camera. This pocket-sized engine arrests all the rays of light in a scene providing the ability to focus on anything in a picture after it’s taken. Lytro’s unique light-field sensor collects the colour, intensity, and the direction of every light ray flowing into the camera, capturing a scene in four dimensions. It comes with an 8x optical zoom lens and f/2 lens. It also works well in low-light environments, clicking high definition images every time. Though in rudimentary stages, this is definitely a technology to watch out for. Available in 8GB and 16GB models, storing 350 and 750 pictures respectively, this lightweight camera comes in three colours.

4. Olympus
Document each page of your life with the Olympus Pen system E-PM1 12.3 megapixel camera. It has a stabilisation technology that never lets the picture blur. Its face detection automatically adjusts on the subject’s eyes while shooting a portrait. Additional features in this camera include the Shadow Adjustment Technology that corrects for extreme light variations with high-tech efficiency either before image capture or during post-capture edits. This product is available in six stylish colours – purple, pink, brown, white, silver and black.

THE BLING THING

For the love of brilliance and technology, here’s an ode to the lovers of glitz. Take your pick from these gadgets that come studded with diamonds and crystals. Are you ready to shine?

1. USB Heart by Swarovski
It is funky, appealing and has diamonds. You can use it as an accessory with your favourite dress as you carry your world around in it. The sparkling heart-shaped pendant and chain is a USB key. The silicon heart holds fifty-four Swarovski diamonds. The enticing chain is made of stainless steel and its shine harmonises with the bling of precious rhombus. The innovative device is a blend of glamour and technology. It can be a fitting romantic gift for your tech-savvy darling this Valentine’s.

2. Swarovski Crystal iPhone 4 Case by Deos Live
Loaded with rich crystals and creatively carved Christmas tree design on the back cover, this Swarovski iPhone 4 case is a rage already. To complement your new iPhone this case is a stylish chic option. Over 1,200 zillion cut Swarovski crystals are hand placed on the case. The beautifully designed piece is a mix of dexterous craftsmanship and innovative concept required to shape a special product that spells luxury through and through.
3. Alligator by Vertu
It is created to complement your opulent lifestyle. The touch screen Alligator from Vertu attracts the proficient’s eye. To enhance the luxury quotient, the phone has strings of diamonds on it. And it strikes the perfect balance between glamour and modern technology. The polished stainless-steel edges, sapphire screen, diamond-encrusted body and the touch of leather makes it classy. The large screen is equipped with HD technology. And it comes loaded with the Vertu concierge, Vertu Club Access, Vertu Select, Vertu City Brief, Vertu Me and satellite navigation with maps.

4. Windproof Lighter by Zippo
An ideal souvenir, this bling emblem is a windproof lighter from Zippo. The eye-catching design is polished with chrome and embedded with Swarovski crystals. The interesting dollar pattern carved on its body makes it an interesting piece. An appropriate gift for those with fiery passions!

HAUTE COUTURE PHONES

The world’s leading designers have transformed their design aesthetics from runways to life’s luxuries. Perfect for fashionistas, these are new-tech pieces that are really worth flaunting. Hello, style!

The phone is adorned with ninety-nine sapphire crystal pieces that form the intricate Dior cannage pattern. Its individual pieces are hand assembled with the finest and most precious materials – Shanghai Blue sapphire crystal, steel, gold, diamond and mother-of-pearl.


1. Jil Sander Smartphone
Jil Sander E906 is the new Windows Phone 7.5 Smartphone by the designer herself. It is a sleek and slim device that has the signature Jil Sander in electric blue trim. It features a 3.8-inch, WVGA resolution (480 x 800 pixel) display and is powered by a 1GHz Qualcomm Snapdragon processor. The phone has 16GB of internal storage and a 5MP camera on the back with autofocus and 720p HD (1280 x 720 pixel) video recording capability. An amazing feature is that the phone also comes with an application that lets users see the latest collections from the designer and locate stores that sell Jil Sander clothing. Perfect for fashion addicts!

2. Blue Sapphire Crystal Dior Touch
Blue Sapphire Crystal Dior Touch is a compact and high-performance luxury touch-phone, a marvel of elegance, sophistication and expert craftsmanship along with complex and luxurious constructions. The phone is adorned with ninety-nine sapphire crystal pieces that form the intricate Dior cannage pattern. Its individual pieces are hand-assembled with the finest and most precious materials – Shanghai Blue sapphire crystal, steel, gold, diamond and mother-of-pearl; all combined together create an architectural gem that encloses Christian Dior’s heritage of luxury down to the tiniest detail.

3. TAG Heuer LINK
The TAG Heuer LINK is the first luxury smartphone with a tactile screen. Equipped with upgradeable Google Android software, it has unparalleled access to over 250,000 applications and lightning-fast connectivity. It also features super responsive tabs making it one of the fastest phone in the market. It boasts unprecedented functionality, unparalleled looks and features and a total of 1,007 top Wesselton (2.53 carats) diamonds. The thirty-three diamond-encrusted TAG Heuer shield with a white mother-of-pearl plate on the back along with the finest white lizard skin and mirror-polished 316L stainless steel reinforce their dazzling clarity.